Sɛbɛnni baro min bɛ kɛ ni suguya caman ye
Ka sɛbɛnni kalan ka bɔ Mali la, o ye ka tɛmɛn gafe tɔgɔla lisi kan. Sɛbɛnni ladamu fana bɛ daɲɛw lakali, poyi, nsiirin surunw ni nsiirin janw, mɔgɔ yɛrɛ ka miirili, mɔgɔw ka maanaw, ani waati tɛmɛnenw lakali. Sɛbɛn kelen-kelen bɛɛ bɛ sɛbɛnnikɛlaw ni lamɛnnikɛlaw dɛmɛ cogo wɛrɛ la walasa u ka se ka ko kɛlenw minɛ. Nin ɲɛ in bɛ o baroba in daminɛ k’a sɔrɔ a bɛ yɔrɔ to danfara minnu bɛ sɛbɛnni laada bɛɛ kɛ caya ye.
Maana fɔcogo bɛ Changé ni a bɛ bɔ ɲɛjirali la ka taa ɲɛ wɛrɛ la, wa a bɛ Changé tugun ni sɛbɛnnikɛla kuraw bɛ jaabi di sɛbɛn kɔrɔw ma. Poyi bɛ se ka ja jɛlen dɔ mara; nsiirin bɛ se ka sugandili kɔrɔbɔ ɲɛnamaya miirilenw fɛ; tariku ni laadalakow sɛbɛnniw bɛ se ka hakilijagabɔ sugandicogo n’a kɔrɔfɔcogo sɛgɛsɛgɛ. O fɛɛrɛ ninnu faralen ɲɔgɔn kan, a b’a jira mun na sɛbɛnni min bɛ tali kɛ Mali la, o bɛ sɛgɛsɛgɛ ka ɲɛ i n’a fɔ baro min bɛ wuli ka taa ɲɛ, a tɛ kɛ jamana tɔgɔla masirilen ye.
Sira min bɛ tali kɛ sɔrɔli la
Kalanbagaw bɛ se ka baara kɛ ni ExtremeWrites ye walasa ka bɔ nin daminɛkuma in na ka taa maana bɔlenw na, gafew, bulɔguw, tariku, poyi, ani laadala sɛbɛnni wɛrɛw la. O lajɛ in labɛnna sɔrɔli kama, a t’a jira ko kan nafama bɛɛ jiralen don kaban. Baara dɔ bɛ yan dɔrɔn n’a jɛɲɔgɔnya jɛlen don ani n’a bɔli ye tiɲɛ ye. O sariyakolo b’a to jamana ka gafemarayɔrɔ nafa ka bon ni kunnafoni kuraw jateminɛni ye.
So min bɛ kɛ ka sɛbɛnni sɛgɛsɛgɛ sini
Gafemarayɔrɔ bɛ se ka kɛ nafolotigi ye ka taa a fɛ ni kunkanbaaraw sɔrɔyɔrɔ baara minnu ɲɛsinnen bɛ Mali ma, olu bɛ bila, ka lajɛ, ka bɔ kɛnɛ kan. O bɛ se ka na ni nsiirin kura ye, poyi, tariku-daɲɛ baara, jamanadenw ka baro, walima sɛbɛnni kɔrɔfɔli, k’a sɔrɔ a ma gafew dabɔ walima ka fanga juru ta ka bɔ kunnafonisɛbɛnw na minnu tɛ yen. ExtremeWrites bɛ sini yiriwali jate i n’a fɔ sɛbɛnnikɛlan. Nin ɲɛ in ye o wale daminɛ ye, wa ɲɛjiralan min bɛ mɛn kalanbagaw bolo ni kunnafoni lakikaw bɛ na.
Mali’s Literary Paths: Oral Traditions and Written Voices
This country introduction opens a path into Mali’s literary and storytelling traditions. Oral memory, poetry, fiction, historical reflection, folklore, and cultural essays can each reveal a different relationship between language and experience. ExtremeWrites links only to work that truly exists on the site; it does not create imaginary authors or suggest that an unfinished collection is complete. As suitable writing is verified and published, the library can expand in a transparent way. International readers may begin here, explore available genres, and return as new material is added through editorial review.
